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Overview

Dr James Weeks

Associate Professor of Composition


Affiliations
AffiliationTelephone
Associate Professor of Composition in the Department of Music+44 (0) 191 33 43148

Biography

James Weeks is a composer, conductor, artistic director and teacher, based in the North of England.

His music typically explores pared-down musical materials, microtonality and Just Intonation, ideas of duration and temporality, embodiment, and plain-speaking. Often working with text and with found materials, particularly early music, he has an ongoing preoccupation with the music and aesthetics of the Italian Renaissance, which he also explores with his vocal ensemble EXAUDI. He has made a lot of work for open instrumentations, spatialised performances and performance installations, and his most recent music has focused increasingly on a deeply embodied relationship with the natural world, including the ongoing project Composing Ecology (2025-present).

His music has been performed and broadcast worldwide, and seven portrait discs of his work have been released to date: Book of Flames and Shadows (Winter&Winter, 2022), Summer (Another Timbre, 2021), windfell (Another Timbre, 2019), Mala punica (Winter&Winter, 2017), Signs of Occupation (Métier 2016), mural (confront 2015) and TIDE (Métier 2013). His work also appears on the Wandelweiser, HCR, NMC and New Focus labels. Most recently, a collaboration with Simon Reynell and Another Timbre, G O M B E R T, was released to critical acclaim in 2025.

Collaborators and other performers of his work have included Quatuor Bozzini, GBSR Duo, EXAUDI, Explore Ensemble, Ekmeles, Ives Ensemble, Plus-Minus, Distractfold, An Assembly, London Sinfonietta, Royal Northern Sinfonia, BBC SSO, Talea, Saviet/Houston Duo, CoMA, Mira Benjamin, Lucy Goddard, Apartment House and Anton Lukoszevieze. His music is published by University of York Music Press. Awards include a British Composer Award (2018) for Libro di fiammelle e ombre, written for EXAUDI, and an Ivors Composer Award (2019) for Leafleoht, written for Quatuor Bozzini.

In 2002 he founded EXAUDI with soprano Juliet Fraser, now regarded as one of the world’s leading vocal ensembles for new music. As well as maintaining a busy international touring and recording schedule with EXAUDI, he works regularly as a guest conductor, working with instrumental ensembles and orchestras such as Royal Northern Sinfonia, BBC Singers, London Sinfonietta, musikFabrik, Birmingham Contemporary Music Group and L’Instant Donné. He has also worked extensively with amateur musicians, both at CoMA (Contemporary Music for All), and in early music fora and summer schools around the UK. Since 2025 he has focused this work on the project Composing Ecology, which aims to connect people more deeply to the natural world through sound.

As a writer on new music he has published articles on Cassandra Miller and Christopher Fox, a pair of chapters on Michael Finnissy in the Routledge Critical Perspectives volume (2019), and a chapter on his own work in The Bloomsbury Handbook of Music and Art (2023). He also compiled and edited the CoMA Partsong Book, a volume of new experimental music for small vocal groups, published in March 2018.

He studied composition with Michael Finnissy, first privately and then - after an undergraduate degree in Music at Cambridge (2000) - as a postgraduate at the University of Southampton, where he was awarded his PhD in 2005.

He was Associate Head of Composition at the Guildhall School of Music & Drama, London from 2012-17, and took up his present position at Durham in October 2017, where he is currently an Associate Professor in Composition.

www.jamesweeks.org

Research interests

  • Composition
  • Contemporary music performance
  • Contemporary vocal music
  • Experimental music
  • Microtonality
  • New music aesthetics

Publications

Chapter in book

  • Landscape/Music
    Weeks, J. (2023). Landscape/Music. In S. Mahler Kraaz & C. de Mille (Eds.), The Bloomsbury Handbook of Music and Art (pp. 293-299). Bloomsbury.
  • Finnissy's Voices
    Weeks, J. (2019). Finnissy’s Voices. In I. Pace & N. McBride (Eds.), Critical perspectives on Michael Finnissy : bright futures, dark pasts. Routledge. https://doi.org/10.4324/9781351031547

Composition

Edited book

  • partsongs
    Weeks, J. (Ed.). (2018). partsongs. CoMA.

Journal Article

Other (Digital/Visual Media)

Supervision students