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Overview

Professor Luke Sunderland

Professor


Affiliations
AffiliationTelephone
Professor in the School of Modern Languages and Cultures+44 (0) 191 33 43458
Member of the Institute of Medieval and Early Modern Studies+44 (0) 191 33 43458

Biography

My research interests lie in medieval Francophone, Occitan and Franco-Italian culture. My forthcoming book focuses on ontologies in five medieval encyclopaedias in French: L'Image du monde, Sydrac, Placides et Timéo, Brunetto Latini's Trésor and the Livre des propriétés des choses. It argues that these texts discuss the capacities of different forms of life (humans, animals, plants and minerals) and classify life differently in text, paratext and image across their manuscript traditions.

My new collaborative project with Miranda Griffin at Cambridge focuses on intertextual and intervisual relationships in manuscripts of L'Image du monde. We are especially interested in the links between encyclopaedic knowledge and medical, ethical, historical and literary knowledges that are created when the Image is anthologized with a broad range of other works. 

My work on the chansons de geste about rebel barons, as well as their chronicle and prose rewritings, led to a book on resistance against royal power in medieval culture. I examined these works through lenses of medieval political theory, anthropological work on feud and rebellion, and histories of sovereignty. I spoke on the Song of Roland on BBC Radio 4's In Our Time.

I perform academic-related comedy and am part of a monthly 'nerdy' comedy night at Newcastle's Stand Comedy Club. I have also performed for the Bright Club and Comedy for the Curious, and at several comedy festivals including the Edinburgh Fringe.

I have previously published on cyclical narratives, with a focus on the relationship between ethics and the figure of the hero in the Guillaume d'Orange cycle, the Lancelot and Tristan prose romances, and the Roman de Renart. My research interests include the materiality of medieval historiography and romance, medieval practices and concepts of translation, cosmopolitanism, textual geographies and hybrid languages, including the French of Italy.

Before coming to Durham, I was a graduate student at King's College London, and research fellow at Gonville and Caius College, Cambridge. I have been a visiting fellow at the Stanford Humanities Center, Cornell University, and the Institute of Advanced Studies in Princeton.

Postgraduate Supervision

I would be keen to hear from students interested in pursuing research in any area of medieval French and Occitan literature. 

Research interests

  • Medieval Encyclopaedias
  • The Visual Construction of Knowledge
  • Medieval French Literature
  • Medieval Occitan Literature
  • Franco-Italian Literature
  • Medieval Libraries
  • Medieval Translation

Publications

Authored book

Chapter in book

  • Touch and Movement in Chretien de Troyes's Chevalier de la Charrette
    Sunderland, L. (2022). Touch and Movement in Chretien de Troyes’s Chevalier de la Charrette. In W. Scase, L. Ashe, P. Knox, & K. Robertson (Eds.), New Medieval Literatures (pp. 1-30). Boydell & Brewer. https://doi.org/10.1017/9781800104884.001
  • Cosmopolitanism
    Sunderland, L. (2022). Cosmopolitanism. In Transnational Modern Languages (pp. 69-76). https://doi.org/10.2307/j.ctv2fjwpw7.11
  • Venice
    Sunderland, L. (2016). Venice. In D. Wallace (Ed.), Europe : a literary history, 1348-1418. (pp. 486-501). Oxford University Press.
  • La Vengeance royale dans le Couronnement de Louis
    Sunderland, L. (2013). La Vengeance royale dans le Couronnement de Louis. In D. Hüe (Ed.), Lectures du ’Couronnement de Louis’. (pp. 39-49). Presses Universitaires de Rennes.
  • Multilingualism and Empire in L’Entrée d’Espagne
    Sunderland, L. (2012). Multilingualism and Empire in L’Entrée d’Espagne. In J. Weiss & S. Salih (Eds.), Locating the Middle Ages : the places and spaces of medieval culture. (pp. 55-66). King’s College London, Centre for Late Antique & Medieval Studies.
  • Bueve d'Hantone/Bovo d'Antona: Exile, Translation and the History of the Chanson de geste
    Sunderland, L. (2012). Bueve d’Hantone/Bovo d’Antona: Exile, Translation and the History of the Chanson de geste. In E. Campbell & R. Mills (Eds.), Rethinking medieval translation : ethics, politics, theory. (pp. 226-242). Boydell & Brewer.
  • Chanson de geste
    Sunderland, L. (2012). Chanson de geste. In R. Greene, S. Cushman, C. Cavanagh, J. Ramazani, P. Rouzer, H. Feinsod, D. Marno, & A. Slessarev (Eds.), The Princeton encyclopedia of poetry and poetics. 4th ed. (pp. 220-222). Princeton University Press.
  • The (Future) Perfect Knight: Repetition in the Cycle de Guillaume d’Orange
    Sunderland, L. (2008). The (Future) Perfect Knight: Repetition in the Cycle de Guillaume d’Orange. In E. Lindley & L. McMahon (Eds.), Rhythms : essays in French literature, thought and culture. (pp. 87-99). Peter Lang.

Journal Article

Supervision students