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Overview

Dr Marco Bernini

Associate Professor in Cognitive Literary Studies


Affiliations
AffiliationTelephone
Associate Professor in Cognitive Literary Studies in the Department of English Studies+44 (0) 191 33 43265
Lead of the Narrative and Cognition Lab, Discovery Research Platform in the Institute for Medical Humanities

Biography

Career

I have been a Marie Curie Junior Research Fellow (2012-2014) and a Wellcome Postdoctoral Research Associate (2014-2018) in the Department of English Studies at Durham University. My first postdoctoral appointment was as an IASH fellow at the University of Edinburgh (2011-2012). I was a core member of the Wellcome Trust interdisciplinary project on auditory-verbal hallucinations, ‘Hearing the Voice' at Durham University (2012-2021). I am now a Co-I in the Wellcome Discovery Research Platform in Medical Humanities (2023-2030), where I am also the founding lab lead in the Narrative and Cognition Lab. I sit on the Steering Committee of the Institute of Medical Humanities, and I am an Affiliate Fellow in the Institute for Advanced Studies. Outside Durham, I am Affiliate Faculty at the Literature and the Mind Centre at the University of California, Santa Barbara. I have been a member of a project on 'Narrative and Complex Systems' at the University of York (Interdisciplinary Centre for Narrative Studies) and of the 'History of Distributed Cognition' project (2014-2018; University of Edinburgh). I have been co-leading with Ben Alderson-Day (Department of Psychology, Durham) an interdisciplinary IAS Major Project on 'Dreams, Narrative and Liminal Cognition' in 2020-2022 (Durham University).

Research Interests
https://global.oup.com/academic/product/beckett-and-the-cognitive-method-9780190664350?cc=it&lang=en&

My research connects narrative theory, cognitive science, and narrative media. I published on immersion, emersivity and co-presence in/of fictional worlds, narrative modeling and cognition, writing technologies and the extended mind, introspection and mental imagery, interdisciplinary methods, mind wandering, self and consciousness, analogy-making, emergence and complexity, hypnagogic and hypopompic transitions, dream states, imaginary companions, ‘experiential crossing’ of storyworlds and characters, empirical studies on reading and imagination, personification, agency and Artificial Intelligence. I am the author of Beckett and the Cognitive Method: Mind, Models and Exploratory Narratives (OUP, 2021), and co-editor of the edited collection Dreams, Narrative, and Liminal Cognition (OUP, 2026). I founded and direct the Narrative and Cognition Lab.

I welcome collaborations and PhD proposals on:

  • Narrative Theory
  • Cognitive Narratology
  • Media and Film Theory
  • Immersion, Reading and Storyworlds
  • Emersivity and Co-Presence
  • Artificial Intelligence and Fictionality
  • Personification and Characterisation
  • Narrative, Self and Consciousness
  • Narrative, Emergence and Complexity
  • Narrative, Dreams and Hallucinations
https://global.oup.com/academic/product/dreams-narrative-and-liminal-cognition-9780198878117?cc=it&lang=en&
Teaching
Mind and Narrative (Level 3 Special Topic; Designed and Individually Taught)

How can literary narratives represent or explore the mind? To answer this relatively simple question, we need to undertake a quite complex, interdisciplinary journey to understand what the mind is and what it does in its everyday inner, outer, imaginative, embodied, linguistic, intersubjective, emotional, dreamlike experiences and interactions with the real world. This means first becoming familiar with contemporary cognitive scientific models of the mind and of a variety of cognitive processes, before looking at the ways whereby these have been rendered in, and explored by, literary storyworlds. This Special Topic module therefore will take on a parallel journey into the mind by comparing and contrasting cognitive science with theories of narrative. This is the agenda of the emergent field of cognitive literary studies, to which this module can be considered as an advanced introduction. 

Narrative and Thresholds of Consciousness (MA level; co-designed and co-taught with Dr Peter Garratt)

Consciousness is not a monolith: it comes in degrees of awareness, agency and control. When we fall asleep or wake up, are tired or in grief, dream or meditate, wander in thoughts or get immersed in a novel, we enter a liminal zone of consciousness and cognition, where we lose some aspect of our self and witness or engage with spontaneous, intrusive, imagistic, phantasmal presences, thoughts and perceptions. Liminal cognition has only recently started to be explored by contemporary cognitive science, whereas it has been widely explored by novelists and writers of short fiction and memoirs. By critically exploring a diverse range of writing from the nineteenth century to the present, this module will assess how literature can enrich, challenge and correct cognitive scientific models of liminality. Texts studied on the module may change from year to year, but they may include works (or extracts of works) by such writers as De Quincey, Brontë, Dickens, George Eliot, George Egerton, Lewis Carroll, Henry James, Woolf, Proust, Beckett, Joyce, Mansfield, Susanna Clarke, Ali Smith, Sarah Shun-Lien Bynum, Hilary Mantel.

Esteem Indicators

Publications

Authored book

Book review

Chapter in book

Edited book

Journal Article

Newspaper/Magazine Article

Supervision students