Staff profile

Authored book

• The Sonnet
  
  Regan, S. (2019). The Sonnet. Oxford University Press.

Chapter in book

• The Art of Losing: American Elegy Since 1945.
  
  Regan, S. (2016). The Art of Losing: American Elegy Since 1945. In E. Spencer (Ed.), American Poetry Since 1945 (pp. 183-202). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-32447-4_11
• "Door into the Light": The Later Poems of Seamus Heaney
  
  Regan, S. (2016). "Door into the Light": The Later Poems of Seamus Heaney. In E. O’Brien (Ed.), "The Soul Exceeds Its Circumstances": The Later Poetry of Seamus Heaney. (pp. 261-278). University of Notre Dame Press.
• Auden and Shakespeare
  
  Regan, S. (2013). Auden and Shakespeare. In T. Sharpe (Ed.), W.H. Auden in Context. (pp. 266-275). Cambridge University Press.
• Irish Elegy after Yeats
  
  Regan, S. (2012). Irish Elegy after Yeats. In F. Brearton & A. Gillis (Eds.), Oxford Handbook of Modern Irish Poetry. (pp. 588-606). Oxford University Press.
• "Coming up England by a different line": Louis MacNeice and Philip Larkin
  
  Regan, S. (2012). "Coming up England by a different line": Louis MacNeice and Philip Larkin. In F. Brearton & E. Longley (Eds.), Incorrigibly Plural: Louis MacNeice and his Legacy (pp. 241-256). Carcanet.
• Contemporary and post-war poetry
  
  Regan, S. (2011). Contemporary and post-war poetry. In J. Harding (Ed.), T.S. Eliot in Context. Cambridge University Press.
• 'Later Poetry'.
  
  Regan, S. (2010). ’Later Poetry’. In E. Larrissy (Ed.), W.B. Yeats. (pp. 75-92). Irish Academic Press.
• 'Philip Larkin and the Movement'.
  
  Regan, S. (2010). ’Philip Larkin and the Movement’. In M. O’Neill (Ed.), The Cambridge History of English Poetry. (pp. 879-896). Cambridge University Press.
• 'Mahon, Longley, Muldoon, McGuckian, Carson, Boland and other Irish Poets'.
  
  Regan, S. (2010). ’Mahon, Longley, Muldoon, McGuckian, Carson, Boland and other Irish Poets’. In M. O’Neill (Ed.), The Cambridge History of English Poetry. (pp. 956-970). Cambridge University Press.
• "Crisis first-hand": Seamus Heaney before and after the Ceasefire
  
  Regan, S. (2010). "Crisis first-hand": Seamus Heaney before and after the Ceasefire. In A. Karhio, S. Crosson, & C. Armstrong (Eds.), Crisis and Contemporary Poetry (pp. 99-113). Palgrave Macmillan.
• 'Sacred Spaces: Writing Home in Recent Irish Memoirs and Autobiographies'.
  
  Regan, S. (2009). ’Sacred Spaces: Writing Home in Recent Irish Memoirs and Autobiographies’. In S. Brewster & M. Parker (Eds.), Irish Literature Since 1990. (pp. 232-249). Manchester University Press.
• 'The Darkening Pastoral: Under the Greenwood Tree and Far from the Madding Crowd'.
  
  Regan, S. (2009). ’The Darkening Pastoral: Under the Greenwood Tree and Far from the Madding Crowd’. In K. Wilson (Ed.), A Companion to Thomas Hardy. (pp. 241-253). Blackwell.
• 'Yeats and the fin de siecle'.
  
  Regan, S. (2009). ’Yeats and the fin de siecle’. In D. Holdeman & B. Levitas (Eds.), Yeats in Context. (pp. 25-34). Cambridge University Press.
• 'Philip Larkin: A Late Modern Poet'.
  
  Regan, S. (2008). ’Philip Larkin: A Late Modern Poet’. In N. Corcoran (Ed.), The Cambridge Companion to Twentieth-Century English Poetry (pp. 147-158). Cambridge University Press.
• 'Seamus Heaney and the Modern Irish Elegy'
  
  Regan, S. (2007). ’Seamus Heaney and the Modern Irish Elegy’. In A. Crowder & J. Hall (Eds.), Seamus Heaney : poet, critic, translator. (pp. 9-25). Palgrave Macmillan.
• 'The Falling Angels: Identity and Place in Contemporary Irish Autobiography'.
  
  Regan, S. (2006). ’The Falling Angels: Identity and Place in Contemporary Irish Autobiography’. In Z. Mazur & T. Bela (Eds.), Language and Identity: English and American Studies in the Age of Globalization. (pp. 382-390). Jagiellonian University Press.
• ‘Terry Eagleton’
  
  Regan, S. (2004). ‘Terry Eagleton’. In The Johns Hopkins Guide to Literary Theory and Criticism. Johns Hopkins University Press.
• ‘The Movement’
  
  Regan, S. (2001). ‘The Movement’. In N. Roberts (Ed.), A companion to twentieth-century poetry. (pp. 209-220). Blackwell.
• 'Far from the Madding Crowd: The Novel in History'.
  
  Regan, S. (2001). ’Far from the Madding Crowd: The Novel in History’. In D. Da Sousa Correa (Ed.), The Nineteenth-Century Novel: Realisms. (pp. 330-357). Routledge.
• 'Far from the Madding Crowd: Vision and Design'.
  
  Regan, S. (2001). ’Far from the Madding Crowd: Vision and Design’. In D. Da Sousa Correa (Ed.), The Nineteenth-Century Novel: Realisms. (pp. 296-329). Routledge.
• 'Macbeth'.
  
  Regan, S. (2000). ’Macbeth’. In K. Ryan (Ed.), Shakespeare: Texts and Contexts. (pp. 81-123). Macmillan.
• 'King Lear.
  
  Regan, S., & Martin, G. (2000). ’King Lear. In K. Ryan (Ed.), Shakespeare: Texts and Contexts. (pp. 241-75). Macmillan.
• 'In the Grip of Light: Philip Larkin's Poetry of the 1940s'.
  
  Regan, S. (2000). ’In the Grip of Light: Philip Larkin’s Poetry of the 1940s’. In J. Booth (Ed.), New Larkins for Old. (pp. 121-129). Macmillan.
• 'Poetry and Nation: W.B. Yeats'.
  
  Regan, S. (2000). ’Poetry and Nation: W.B. Yeats’. In R. Allen & H. Trivedi (Eds.), Literature and Nation: Britain and India 1800-1990. (pp. 78-94). Routledge.
• 'The Celtic Spirit in Literature: Ernest Renan, Matthew Arnold, and W.B. Yeats'.
  
  Regan, S. (1998). ’The Celtic Spirit in Literature: Ernest Renan, Matthew Arnold, and W.B. Yeats’. In A. Marshall & N. Sammells (Eds.), Irish Encounters. (pp. 28-40). Sulis Press.
• 'Reader-Response Criticism and Reception Theory'.
  
  Regan, S. (1998). ’Reader-Response Criticism and Reception Theory’. In W. Owens & S. Eliot (Eds.), A Handbook of Literary Research. (pp. 139-149). Routledge.
• 'Form and Meaning in Poetry: The Sonnet'.
  
  Regan, S. (1998). ’Form and Meaning in Poetry: The Sonnet’. In An Introduction to the Humanities. (pp. 49-93). Open University.
• 'Larkin's Reputation'.
  
  Regan, S. (1997). ’Larkin’s Reputation’. In M. Baron (Ed.), Larkin with Poetry. (pp. 47-69). English Association.
• 'W.B. Yeats and Irish Cultural Politics in the 1890s'.
  
  Regan, S. (1995). ’W.B. Yeats and Irish Cultural Politics in the 1890s’. In S. Ledger & S. McCracken (Eds.), Cultural Politics at the fin de siecle. (pp. 66-84). Cambridge University Press.
• 'The Novel and Society'.
  
  Regan, S. (1995). ’The Novel and Society’. In D. Walder (Ed.), The Realist Novel. (pp. 98-107). Routledge.
• 'The Presence of the Past: Modernism and Postmodernism in Canadian Short Fiction'.
  
  Regan, S. (1991). ’The Presence of the Past: Modernism and Postmodernism in Canadian Short Fiction’. In C. Howells & L. Hunter (Eds.), Narrative Strategies in Canadian Literature. (pp. 108-33). Open University Press.
• '"Oil and Blood": Yeats's Return to the Nineties'.
  
  Regan, S. (1990). ’"Oil and Blood": Yeats’s Return to the Nineties’. In W. Gould (Ed.), Yeats Annual. (pp. 194-99). Macmillan.

Edited book

• George Moore. Esther Waters
  
  Regan, S. (Ed.). (2012). George Moore. Esther Waters. Oxford University Press.
• Irelands of the Mind: Memory and Identity in Modern Irish Culture.
  
  Regan, S., & Allen, R. (Eds.). (2008). Irelands of the Mind: Memory and Identity in Modern Irish Culture. Cambridge Scholars Publishing.
• Irish Writing: An Anthology of Irish Literature in English 1789-1939
  
  Regan, S. (Ed.). (2004). Irish Writing: An Anthology of Irish Literature in English 1789-1939. Oxford University Press.
• The Nineteenth-Century Novel: A Critical Reader
  
  Regan, S. (Ed.). (2001). The Nineteenth-Century Novel: A Critical Reader. Routledge.
• The Eagleton Reader.
  
  Regan, S. (Ed.). (1998). The Eagleton Reader. Blackwell.
• Philip Larkin.
  
  Regan, S. (Ed.). (1997). Philip Larkin. Macmillan.
• The Politics of Pleasure: Aesthetics and Cultural Theory.
  
  Regan, S. (Ed.). (1992). The Politics of Pleasure: Aesthetics and Cultural Theory. Open University Press.
• George Meredith: Modern Love.
  
  Regan, S. (Ed.). (1988). George Meredith: Modern Love. Monitor House.

Journal Article

• Landscapes of mourning in nineteenth-century English poetry
  
  Regan, S. (2019). Landscapes of mourning in nineteenth-century English poetry. Nineteenth-Century Contexts, 41(1), 23-33. https://doi.org/10.1080/08905495.2018.1545434
• The Sonnet and its Travels
  
  Regan, S. (2017). The Sonnet and its Travels. CounterText : A Journal for the Study of the Post-Literary., 3(2), 162-175. https://doi.org/10.3366/count.2017.0086
• Lux Perpetua: The Poetry of Seamus Heaney, from Door into the Dark to Electric Light
  
  Regan, S. (2016). Lux Perpetua: The Poetry of Seamus Heaney, from Door into the Dark to Electric Light. Romanticism, 22(3), 322-330. https://doi.org/10.3366/rom.2016.0293
• Seamus Heaney and the Making of Sweeney Astray
  
  Regan, S. (2015). Seamus Heaney and the Making of Sweeney Astray. Hungarian Journal of English and American Studies (HJEAS), 21(2), 317-339.
• "Things Remembered": Objects of Memory in the Poetry of Seamus Heaney
  
  Regan, S. (2014). "Things Remembered": Objects of Memory in the Poetry of Seamus Heaney. Éire-Ireland, 49(3/4), 320-336. https://doi.org/10.1353/eir.2014.0020
• 'North of Boston: Models of Identity, Subjectivity and Place in the Poems of Robert Frost'.
  
  Regan, S. (2009). ’North of Boston: Models of Identity, Subjectivity and Place in the Poems of Robert Frost’. Romanticism and Victorianism on the Net, 51.
• The Victorian Sonnet, from George Meredith to Gerard Manley Hopkins
  
  Regan, S. (2006). The Victorian Sonnet, from George Meredith to Gerard Manley Hopkins. Yearbook of English Studies, 36(2), 17-34.
• 'W.B. Yeats: Irish Nationalism and Post-Colonial Theory'.
  
  Regan, S. (2006). ’W.B. Yeats: Irish Nationalism and Post-Colonial Theory’. Nordic Irish Studies, 5(1), 87-100.
• 'Robert Frost and the American Sonnet'.
  
  Regan, S. (2005). ’Robert Frost and the American Sonnet’. The Robert Frost Review., 14, 13-35.
• '"Scorned as Timber, Beloved of the Sky": Emily Carr's double approach to First Nations Canadian landscapes and images in her painting and writing'.
  
  Regan, S., & Goodman, L. (1998). ’"Scorned as Timber, Beloved of the Sky": Emily Carr’s double approach to First Nations Canadian landscapes and images in her painting and writing’. Journal of Gender Studies, 7(2), 157-179.
• 'Seamus Deane: Reading in the Dark'.
  
  Regan, S. (1997). ’Seamus Deane: Reading in the Dark’. Irish Studies Review, 19, 35-40.
• 'Neil Jordan: Michael Collins'.
  
  Regan, S. (1996). ’Neil Jordan: Michael Collins’. Irish Studies Review, 17, 40-43.
• 'Brian Friel's Translations'.
  
  Regan, S. (1995). ’Brian Friel’s Translations’. English Review, 6, 38-41.
• 'W.B. Yeats: "Sailing to Byzantium"'.
  
  Regan, S. (1993). ’W.B. Yeats: "Sailing to Byzantium"’. English Review., 4, 23-35.
• 'Ireland's Field Day'.
  
  Regan, S. (n.d.). ’Ireland’s Field Day’. History Workshop Journal, 33, 25-37.

Other (Print)

• The Nineteenth Century: Victorian Period (Verse).
  
  Regan, S. (1987). The Nineteenth Century: Victorian Period (Verse) (pp. 408-433). The Year’s Work in English Studies.
• The Nineteenth Century: Victorian Period (Verse)
  
  Regan, S. (1986). The Nineteenth Century: Victorian Period (Verse) (pp. 374-395). The Year’s Work in English Studies.
• The Nineteenth Century: Victorian Period (Verse)
  
  Regan, S. (1985). The Nineteenth Century: Victorian Period (Verse) (pp. 366-391). The Year’s Work in English Studies.
• The Nineteenth Century: Victorian Period (Verse).
  
  Regan, S. (1984). The Nineteenth Century: Victorian Period (Verse) (pp. 416-449). The Year’s Work in English Studies.